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‘The lighter pine trees overhead,’ “Geegustibus! You kids are doin’ a fine job,” Billy encouraged, as he walked by the line of little bending, sweating backs. “There never was a railroad built on the square like this. Contractors on time; men a-workin’ that’s got brains an’ ain’t afraid to use ’em. Jiminy crickets, it’s fine!” “Mannel Rodd, did you ever ketch a fish?”.
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Conrad
The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous. And Billy, suddenly remembering who was being cheered, slid to his seat sheepishly, a cold feeling down his back, uncomfortable heat in his cheeks. “Now who wants to ride the camel? Who wants to ride the swayin’ tossin’ ship of the desert?” Betty turned to her swarming audience; then to Moses she whispered as though she might be overheard, “You step forward an’ pay me two bits fer a ride.” Moses put a ticket into Betty’s hand and, not to be outdone in bravery, mounted the single-humped camel. Molly forgot her training in the sandy desert and lurched sadly. Jean was the Goddess of Liberty; Shifty and another larger boy the steeds that pulled her car. But boys and box wagon were so smothered in bunting that only the Goddess was conspicuous, standing, well-balanced, stately, and fair..
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